Imitation

Beginning with a photograph of Bruce Goff in his University of Oklahoma studio, this project investigates the layered spatial and compositional qualities embedded within his design environment. The photograph became a framework for developing a plan, section, and elevation, translating observed relationships of form, proportion, rhythm, and spatial organization into a three-dimensional architectural study.

The resulting model explores the relationship between structure and void through layered forms and shifting volumes, examining how interior and exterior spaces interact and communicate. Working without color or texture, the project focuses on geometry, proportion, light, and spatial relationships as primary design tools. Through the process of abstracting a photographic reference into architectural form, the project examines how observation can become a method of design and how visual analysis can reveal the underlying rhythms and experiential qualities of space.

This set design study for Le Bal at Trap Door Theatre began with a conversation with the director and an exploration of the script, focusing on the spatial, atmospheric, and narrative qualities of the performance. Through discussions surrounding movement, lighting, scale, and the relationship between performers and audience, we developed a spatial approach that responded to the themes and rhythm of the production.

Using these observations as a foundation, I developed a physical set model to investigate how the stage could shape the experience of the performance. The model explores the relationship between structure, circulation, light, and theatrical space, considering how architectural elements can frame movement and create shifts in atmosphere. The process allowed me to approach set design as an intersection between architecture and storytelling, translating the narrative and directorial vision into a tangible spatial environment.